Skip to main content

Incendies (2010)

 


Incendies (2010) is a French movie directed by Denis Villeneuve. The opening scene of the film is by far the most unnerving I have ever watched. It begins with a wide-angle shot of a large landscape and gradually zooms in on the inside of a shattered building. Inside, there were a few children whose hair was being trimmed by some adults. As one of the kids’ hair was being cut, the camera focused on him. And that kid gives a cold stare down, looking right at us through the camera. That stare was so unnerving for me as it was trying to say a lot of things. That stare was filled with sadness, helplessness, and pure anger. The stare was so diabolical that it looked straight at my soul and said, “You take your life for granted, and I am angry at you for that.”

This 3-minute opening of Incendies is a movie of its own. A kid with lots of questions and confusion on what is happening, a kid who was born in a world filled with hatred and horror. And the anger that he feels is something that never deflates to any sort of peaceful resolution. The wound he carries will always refuse to heal, which only fuels his anger and causes him to grow as the most feared adult. No human being is born a criminal or an evil person. The life they live, molded by hatred, will forge him to be the one the world will fear and despise.

The most haunting thing about wars is not death; it is not the uprooting of trees; it is not just the displacements of millions from their home. The most haunting thing about war is what it does to the children. Being born in a world full of anger and horror will teach them only those things. They sprout like wild vines only to spread more violence. As they grow up, the anger towards the world will make more sense to them than any love that they never received. Like a never-ending vicious circle, they come, following the threads of hatred left by those before them.


***

 

“You watch my story through this monitor, with snacks to please your taste buds, with a blanket to cover your feet.

I am jealous of you; I am angry at you; I want my Ummah and Abba to take me from here; I hate it here; I hate you.

Who is a Muslim? Who is a Christian? Who is a Jew? What is Israel? What is Palestine? Who is Jesus? Who is Muhammad? Where is Ummah? Where is Abba?

Why am I to be killed? Or why am I the one who kills?

You may sympathize with me and my story, and you may lose a night’s sleep thinking about me. You may curse the world for making me what I am now; you will pretend to be angry at the world for me. But then you will move on the next morning; you will be worried about yourself, and I will have to continue living this same life forever.

I don’t want your sympathy; your sympathy fuels my anger. Your sympathy is a mockery of my world.

I prefer to watch this world burn to ashes along with me than to redeem myself to live in it peacefully, like you.”


***

Comments

Popular posts from this blog

Frangipani, Artists, and Angels.

“In the yellow street lights, to the cool breeze of a full moon night, a flower floated towards us. Nila grasped it in between her fingers, offered it to me, and asked, ‘Its name is Frangipanni, whenever you see this, will you think of me?” Thus wrote Kaber Vasuki in his song ‘Frangipanni’, about a girl named Nila. She is a beacon of hope that sheds light on the souls lost in life's chaos. She isn’t so pure as it might seem, or is there any human being that has ever been devoid of any impurities? But her presence was soothing for those who had the grace of knowing her. Nila is someone who giggles when the night’s cold breeze wafts the thick smell of Jasmine flowers along with it; she is someone who packs her bag and leaves for Calcutta because, why not? She is someone whom you will wish to know, to have that shed of light to reach upon you, when described by such a songwriter as Kaber Vasuki. That is why, when her death flows in like a poem in this song, I felt my heart yearning ...

In the Café of Lost Youth

  ”In the Cafe of Lost Youth” by Patrick Modiano is a profound work. It is deeply philosophical, aesthetically pleasing, and filled with brilliant prose. The story is incoherent in its form, with different timelines, shifting perspectives, and various locations. But everything revolved around only one character, Louki. This novella is about this girl, told from multiple perspectives, including her own, but still, when I finish reading, I am as new to her as I was when I first read Chapter 1. Just as all the other characters felt about her. She doesn't hide much; she is as open to others as she is to herself.   But still, there is always a mysterious aura in her presence. Roland is one of the characters from whose perspective we get to know more about Louki. He falls in love with her, dreams of a future, and in her way, Louki also reciprocates the love. He is so intrigued by the place where it all is happening, Paris. He believes that Paris has few places that he calls ‘Neu...

BLACK MOTHS OR MOUSTACHES

Gauri was the only girl child to her parents and was blind when she was born. After 12 long and happy years of childhood, she gained sight one day. In her words, it was “the mysterious event,” but it was every bit as usual as her story goes. Irrespective of her inability to see, Gauri had a childhood of a million colors. She had two elder brothers who loved her unconditionally, but there was always a physical barrier between them. Their realities felt so different, though they had a similar childhood. The brothers were in a separate world of their imaginations, along with toy cars, bikes, and guns. That was a place where Gauri had no importance, still, she could be seen stumbling behind her brothers. For Gauri, the world was what she imagined. The disparity in their world did not bother her, as her inability to see also made her not see those differences.  The world that she imagined was a beautiful and happy one. It had everyone and everything she dearly loved: her parents, her ...