Quichotte by Salman Rushdie is
the type of book that I loved so much that I wanted to savor every moment by
reading it slowly but also devouring it as fast as possible because of the
beautifully evolving story. The story follows a person named Ismail, who is
addicted to watching too many TV shows. He creates his alter ego Quichotte, and
goes on a road trip through America to make a famous TV show host fall in love
with him. Here Salman Rushdie takes a unique way of storytelling, wherein in the
second chapter of the book he introduces the author who is writing the story of
Quichotte (Ismail), it is like fiction inside another fiction. This brings us
to the genre of this book – a Metafiction. The life of the author is the
reflection of the story of Quichotte. At a certain point in the book, the
reality of the author’s life gets intertwined with the fiction of Quichotte’s
story, perplexing the reader with Rushdie’s effortless storytelling.
Quichotte is a brilliantly funny work.
It was quite surprising for me since I’ve read a few books of Rushdie (not
many) to find his work to be this much satirical. Then I revisited his previous
works and a lot of his interviews and realized that satire and telling serious stories
in a rather fun way was his strength. It was me who was being naïve and failed
to see it all along. I read Midnight’s Children way too early, I loved that
book, but I failed to properly understand it. I need to reread it.
Salman Rushdie is one of the
literary geniuses of our generation. His works will be considered classics in
the future. Quichotte will top that list. His narration was so fine with
strength and confidence. The level of imagination in Quichotte is mesmerizing.
He effortlessly blends reality with fiction. Magical realism is not the word
that I will use to define his works, although this story has its share of absurdity.
Like the insect that speaks English with an Italian accent, large mastodons
wearing blazers and marching for protest, and a person born out of a wish who
is monochrome in color, still, I could not consider it to be of authentic Latin
American origin; that is magical realism. Rushdie has a format of blurring the
line between reality and dream, that stands out from the traditional magical
realism, surrealism, or absurdism. It lingers and reflects on reality very much
and to make the reader realize the impact of reality, he levels up the
absurdity in it. So it perfectly works as a metaphor but also in a single
glance, it can be seen as a sheer absurdity.
There were moments in this book
where I laughed so hard. It is not a silly/funny book but filled with so much
irony and satire. So much so that I rolled about laughing in certain portions.
The ending of the book takes a great turn, giving it the perfect climax. It has
everything in it to become a great read that stays with you forever. This book
was shortlisted for the Booker Prize in 2019, and my next read will be the winner of the 2019 Booker Prize winner. Just to see what can top this book.
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